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Incidentals where I formerly played frame drums no longer performs. Sandi and I of Incidentals now play in a world music band Soma together with the marvellous Andrew and Steve.
I Shall Find You is a song by Tori Morrill&Al Newman. Inanna Sisters in Rhythm, who has originally played it, kindly gave us permission to perform the song and even shared their score notes! Inanna Sisters in Rhythm also count the late Layne Redmond as one of their teachers.
Sandi and Oxana made a couple minor changes in frame drums’ patterns, but overall it’s what our sisters across the ocean play. Andrew with his clarinet and Steve with his mandola make the magic complete.
Andrew also play a set of ankle jingles – something that Oxana and Sandi found impossible to do while playing frame drums at the same time – so kudos to Inanna Sisters in Rhythm for performing that feat! We all try to do our share in singing, and intend to use our voices more and more in the future.
See and buy my two landscapes inspired by Portsmouth (Cornholme, Todmorden) scenery in Saker Cafe, Burnley Rd, Todmorden.
The framed watercolours, A3-sized
will be on exhibition in the cafe until end of September 2017.
Mirrors to the other side
The Twenty-Fourth issue of The Seventh Quarry magazine edited by Peter Thabit Jones flowed like a meandering river. One turn of a page reflected the previous one. Themes sank in and resurfaced further downstream.
For instance, Bill Wolak interviewed William Heyen. William Heyen’s poems were followed by a photo of William Heyen and Stanley Barkan. and the poem “Who is Stanley Barkan?” by James Palmer. An interview with Dileep Jhaveri is preceded by Bill Wolak’s poem “After a Photo of Dileep Jhaveri.”
One theme that resonated with me kept emerging in this issue’s interviews. It was the idea of poetry as a portal into the timeless, a key to the transcendent.
As Dileep Jhaveri put it:
“The role of the poet is to take the reader along to discover spaces where this magic is innate. [The poet] then becomes a mirror or a river for the reader for a similar adventure.” Continue reading “The Seventh Quarry Issue 24 Summer-Autumn 2016 and my poems”
Issue 23 of The Seventh Quarry had an Indian flavour. It featured interviews with not one but two renowned Indian poets: Hassanal Abdullah (by the Editor Peter Thabit Jones) and with Dr. H.K. Kaul, by Mandira Ghosh. Both poets earned my admiration with their lofty goals and their understanding of the role of poetry in modern society.
Both amaze with the scope of their work. Hassanal Abdullah wrote 29 books, among which is a 304-page epic about relations between people and the Universe. Dr. H.K. Kaul is the President of the Poetry Society (India) and his 200-page long poem Firdaus in Flames deals with political and social upheavals in India’s recent history.
One cannot help but be amazed by these two poets, who confess in their respective interviews that it is the highest aspirations of human spirit that are worthy writing about and that poetry can and should change society for the better. This, at the time when most English language poets normally reach as high as the attic, for a box marked “Grandmother”, in order to commit to poetry an old glove. Continue reading “The Seventh Quarry Issue 23 Winter-Spring 2016”
The title for this painting is obviously a play on words. It portrays some rocks in the hills above the village of Portsmouth (by Cornholme by Todmorden) and at the same time expresses my admiration for the place.
My favourite features in this view are: the new wind turbines on the top of the hill to the left, the forest that frames Portsmouth so beautifully in deep emerald colour in summer and the house on the hillside, tiny from this distance, although it is actually a whole terrace.
The rocks in the hills of Portsmouth protrude out of the ground, here and there, small and big. They look too me like the brittle bones of our old Mother Earth.
I used sweeping semi-circular lines in drawing, throughout. I hope this helps to express the idea that Portsmouth is a like a little earth, and, at the same time, it is part of a much bigger world, connected to everything in it.
Buy this painting for £50 at the exhibition in Todmorden Tourist Information Centre, until 29 May.
This is a view from a hill above the village of Cornholme along Burnley Road down into the valley and further onto Todmorden. The chimney of the old Cornholme Mills punctuates the narrow valley. My daughter studied the history of this plant at school in the context of the Industrial Revolution and child labour. She now likes saying that she is glad she did not live a those times. The factory is the only one remaining working mill in Cornholme.
While working on this watercolour, I relied on clear lines of drawing, which allowed to maintain the impression of two hillsides sliding down onto a valley and culminating in an opposing hillside above Todmorden.
I combined more naturalistic and more abstract techniques in this painting, including my favourite “borders melt into the centre” technique, which, to me, showcases he unique qualities of watercolour paints perfectly.
See this painting at the current exhibition in Todmorden Tourist Information Centre, until 29 May.
Exhibition of my watercolour paintings has opened in Todmorden Tourist Information Centre.
Visit the Centre in Burnley Rd, Todmorden, for free until Sunday 29 May to see landscapes inspired by views around Todmorden.
I also paint flowers, which I spot in Todmorden parks.
In addition, a landscape portraying a Irish lake and another one of a Russian river are also on exhibit.
The paintings are original and framed. They are available for prices in the range of £30-50.
For this exhibition I painted two brand new landscapes, which are available for purchase.
A few paintings from private collections feature in the exhibition and are not for sale.
The styles presented are varied: there are three paintings which I did in an abstract style with which I have been experimenting.
Some works have been done on dry paper, while others benefited from the special effect of wet paper that gives watercolour paintings their distinct look.
I hope you enjoy recognising familiar scenery in my watercolours as well as looking at the views from lands far away.
Have a warm and sunny May!
Come see my watercolours at a free exhibition from 1st May 2016. Todmorden Information Centre is open Monday to Saturday from 10.00am to 4.00pm and Sundays 10.45am to 2.30pm.
I am presenting my favourite subjects, which are flowers and local landscapes. I admire the curves of the hills above Portsmouth and Cornholme, with their changing colours through the seasons. In addition to those, an Irish and a Russian landscape will also feature.
The paintings are framed and are available to buy at affordable prices (£30-£40). Treat yourself or buy a special gift for a loved one.
More community outreach with my frame drum band Incidentals
Beth Hardman and Sandi
Oxana and Sandi of Incidentals were excited to introduce adults and children to frame drumming at Heptonstall Family Day 2016. We were warmly welcomed by the organiser Beth Hardman, who subsequently said: “It was really good having you as part of the day.”
We had families with children young and younger join us informally and check out the instruments.
We played a couple of songs and instrumentals and led an introductory session of frame drumming.
Oxana and Sandi by the stained glass windows
Children had their first try of frame drums along with shakers and other percussion in the beautiful interior of Heptonstall Church.
Frame drumming inside Heptonstall Church